Interestingly, I can trace all my views on abortion back to a single statement from a lady doctor, who had come to my school to teach us about sex. She showed us a picture of a foetus at 4 weeks or so. She asked us how a woman knows she's pregnant. One answered "When she starts vomitting". Thanks to all hindi movies. True enough, but the first sign, she informs us, is a missed period.
Then she shows us this picture, little baby, hands forming, big head, marks for eyes and nose and stuff, and asks us what we're thinking. Then she says "Are you thinking that you look so human, and your mother doesn't even know you exist yet?" From that moment, I knew what to think. I had other conversations with myself about bodies and souls and when a soul enters a body, when life begins etc. But that was always at the heart of it. Once the foetus is formed - whether it carries to term or not, it is alive. It is a human being.
This all has some special meaning now. I've been trying to get healthier, and want to have a child quite badly. I've missed my July period quite comprehensively, but am not at all sure whether it's just the residual PCOS angst. I was regular for 2 months before this, but 2 months is not enough right? I'm waiting for another week before I take a test. I'm also a bit of a mess. I'm still me, I'm quite excited about being pregnant (if I am) but I'm a bit of a mess. I'm over aggressive and over weepy. I'm not sure at all that I'm pregnant, but there is a chance. It's a scary chance too :)
I wish there was an easy way to tell - like the little toe on my left foot would twitch uncontrollably and then I could be sure. The thing is, with the tests - you've got to wait for a long time to be sure. The initial tests may be negative, and then it may be positive... Or it may actually be negative. So how long do you wait? How long do you decide to keep non-alcoholic... How much exercise is acceptable?
In short, am I pregnant or ill?
Sunday, July 20, 2008
Monday, July 14, 2008
Dil ko... nahin pata hai
I watched Jaane Tu... the other day. It was only during the movie that I noticed the brilliance of Nazrein Milana. It's a nice breezy song but has some wonderful vocals. The words... they're fine, but the music and voices are amazing. Of the singers, I've only heard of Naresh Iyer before, and I'm glad that all the others were involved in this.
About the movie though. I saw Pratiek Babbar. I had read a review before which said he was good, so I was expecting a lot. He was good, I'll admit, but not stunningly so. Not like, say Vivek Oberoi in Company. He did have a tiny role though, which he did well. I found it a bit irritating that he was so upset by his sister having her own life. But, that's also not his fault. I realised somewhere in the movie, that he's also Smita Patil's son. He has her cheek bones I would say. Some of the intensity of expression as well. I was intrigued and wanted to see more of him, so did some Google-ing.
I noted a few things. Pratiek is the only child of Raj Babbar and Smita Patil. Raj Babbar has two other children, Arya and Juhi (both of whom debuted in Hindi movies, but didn't make it very far). Raj Babbar was married to Nadira Babbar, whom he left to be with Smita Patil, and had Pratiek. Smita Patil died in giving birth to Pratiek. Pratiek then stayed with Smita Patil's parents, and Raj and Nadira Babbar reconciled. Do I see a minor hindi movie right here?
So many thoughts about all these real people... young people too. There are some older people, who made choices that have shaped the lives of the younger people. I hope they put sufficient thought into it.
About the movie though. I saw Pratiek Babbar. I had read a review before which said he was good, so I was expecting a lot. He was good, I'll admit, but not stunningly so. Not like, say Vivek Oberoi in Company. He did have a tiny role though, which he did well. I found it a bit irritating that he was so upset by his sister having her own life. But, that's also not his fault. I realised somewhere in the movie, that he's also Smita Patil's son. He has her cheek bones I would say. Some of the intensity of expression as well. I was intrigued and wanted to see more of him, so did some Google-ing.
I noted a few things. Pratiek is the only child of Raj Babbar and Smita Patil. Raj Babbar has two other children, Arya and Juhi (both of whom debuted in Hindi movies, but didn't make it very far). Raj Babbar was married to Nadira Babbar, whom he left to be with Smita Patil, and had Pratiek. Smita Patil died in giving birth to Pratiek. Pratiek then stayed with Smita Patil's parents, and Raj and Nadira Babbar reconciled. Do I see a minor hindi movie right here?
So many thoughts about all these real people... young people too. There are some older people, who made choices that have shaped the lives of the younger people. I hope they put sufficient thought into it.
Friday, July 11, 2008
Love and Poetry
Hindi Movie style...
It's very interesting that there is a firm link between love and poetry all over the world. My take is that love arouses the 'finer feelings' in a person, which are reflected by poetry rather than prose. A great example of this (at least, I think it's fabulous) is a song from a movie that's flopping. Thoda Pyar Thoda Magic has this song called 'Nihal ho Gayi'. I listend to it many many times before I realised what it was saying. Partly because 'Nihal' doesn't mean much to me. But one day I listened to a verse:
jisko main bheed kehta tha wo log ho gaye
jisko sadak samajhta tha wo raah ho gayi
chamakti aasma mein gol cheez chaand ho gayi
ho teri ek nazar se, ho teri ek nazar se
daaliyon mein jhoomte wo rang phool ho gaye
khushbuon se saans saans maalamal ho gayi
teri ek nazar se zindagi nihal ho gayi
What I thought was a crowd became people;
What I thought was an ordinary road became path to a future;
The round shiny thing in the sky has become the moon;
With one look you've changed my life.
The colours on branches have become flowers;
My breath is filled with perfumed airs;
With one look you've changed my life.
ek hawa jo paas aayi to jhonka kaha use
paani jo barasne laga rimjhim kaha use
hothon ke mudne ko muskurana kaha
ho teri ek nazar se, ho teri ek nazar se
badla mahina to naya mausam kaha use
sur naya naya nai nai si taal ho gayi
ho teri ek nazar se zindagi nihal ho gayi
nihal ho gayi nihal ho gayi
Wind passed by me and I call it a breeze,
Water falling became a musical drizzle,
The bending of lips I now call a smile;
With one look, with one look,
Changing months have now become seasons,
New sounds sound like music,
With one look you've changed my life.
My translations may be rubbish, but think of a person who couldn't care about the moon. Didn't ever look at it as a magical thing, and then, suddenly one day, it's a special object.
:) Now I know why I'm a romantic. And will probably remain incurably so.
Life and love are very beautiful. Sometimes the beauty of it all makes me cry, sometimes the sadness of it all makes me cry. I guess I'm just generally weepy :)
It's very interesting that there is a firm link between love and poetry all over the world. My take is that love arouses the 'finer feelings' in a person, which are reflected by poetry rather than prose. A great example of this (at least, I think it's fabulous) is a song from a movie that's flopping. Thoda Pyar Thoda Magic has this song called 'Nihal ho Gayi'. I listend to it many many times before I realised what it was saying. Partly because 'Nihal' doesn't mean much to me. But one day I listened to a verse:
jisko main bheed kehta tha wo log ho gaye
jisko sadak samajhta tha wo raah ho gayi
chamakti aasma mein gol cheez chaand ho gayi
ho teri ek nazar se, ho teri ek nazar se
daaliyon mein jhoomte wo rang phool ho gaye
khushbuon se saans saans maalamal ho gayi
teri ek nazar se zindagi nihal ho gayi
What I thought was a crowd became people;
What I thought was an ordinary road became path to a future;
The round shiny thing in the sky has become the moon;
With one look you've changed my life.
The colours on branches have become flowers;
My breath is filled with perfumed airs;
With one look you've changed my life.
ek hawa jo paas aayi to jhonka kaha use
paani jo barasne laga rimjhim kaha use
hothon ke mudne ko muskurana kaha
ho teri ek nazar se, ho teri ek nazar se
badla mahina to naya mausam kaha use
sur naya naya nai nai si taal ho gayi
ho teri ek nazar se zindagi nihal ho gayi
nihal ho gayi nihal ho gayi
Wind passed by me and I call it a breeze,
Water falling became a musical drizzle,
The bending of lips I now call a smile;
With one look, with one look,
Changing months have now become seasons,
New sounds sound like music,
With one look you've changed my life.
My translations may be rubbish, but think of a person who couldn't care about the moon. Didn't ever look at it as a magical thing, and then, suddenly one day, it's a special object.
:) Now I know why I'm a romantic. And will probably remain incurably so.
Life and love are very beautiful. Sometimes the beauty of it all makes me cry, sometimes the sadness of it all makes me cry. I guess I'm just generally weepy :)
Monday, July 07, 2008
Federer v. Nadal
I saw most of the match yesterday. Federer losing to Nadal. Not such a big thing in itself, but coming hot on the heels of a loss at the French Open in straight sets and the fact that Federer has won more encounters on grass than he has lost. Yesterday, if he had won, it would have been his 6th Wimbledon title. Beating some older records that he had equalled last year. It was a well fought match, but to me, Federer was outclassed. Rafael Nadal was the better player yesterday, and it's only correct that the better player wins.
Does that mean that Federer is done for? One of the commentators was very vocal about how this loss is going to destroy Federer. Which is what sometimes makes me very grateful that I'm a normal human being. My definition of myself and in fact, my own identity, depend on things apart from my 'ability'. And I hope that Roger Federer and Rafael Nadal are aware of who they are, apart from being superb tennis players.
I keep thinking about that match, and maybe at some level the commentators are right. Being the champion was a part of his identity. There was one particular volley where I could see that Federer did not expect a return. But he got one, a brilliant one at that. Nadal on the other hand, clearly knew that he had to be prepared for everything. He did not ever give up. It was a brilliant game, just a little sad if you were supporting Federer.
And now we get to see the stuff champions are made of. A man who has played and won for over 5 years now, whose career has proved that he is a brilliant player on a lot of surfaces, has to decide what he is. Is he able to admit that he is a brilliant player, but not always the best on a day? Is he willing to admit that? Is he able to push himself hard enough so that he is at the absolute peak of his own skill? At that level, if he's the better player on the day, he will definitely win. But if he's decided in his mind that he is generally the better player, that's not good enough.
The way I see it, the Wimbledon final only showed that one thought he coudl rest on his laurels, the other was clear that he has to push forward. Either way, the future of men's tennis has just got a whole lot more interesting. And with all this, Nadal is 22 and Federer is 26. Each can safely play upto the age of 30. :) Fun Fun Fun.
Does that mean that Federer is done for? One of the commentators was very vocal about how this loss is going to destroy Federer. Which is what sometimes makes me very grateful that I'm a normal human being. My definition of myself and in fact, my own identity, depend on things apart from my 'ability'. And I hope that Roger Federer and Rafael Nadal are aware of who they are, apart from being superb tennis players.
I keep thinking about that match, and maybe at some level the commentators are right. Being the champion was a part of his identity. There was one particular volley where I could see that Federer did not expect a return. But he got one, a brilliant one at that. Nadal on the other hand, clearly knew that he had to be prepared for everything. He did not ever give up. It was a brilliant game, just a little sad if you were supporting Federer.
And now we get to see the stuff champions are made of. A man who has played and won for over 5 years now, whose career has proved that he is a brilliant player on a lot of surfaces, has to decide what he is. Is he able to admit that he is a brilliant player, but not always the best on a day? Is he willing to admit that? Is he able to push himself hard enough so that he is at the absolute peak of his own skill? At that level, if he's the better player on the day, he will definitely win. But if he's decided in his mind that he is generally the better player, that's not good enough.
The way I see it, the Wimbledon final only showed that one thought he coudl rest on his laurels, the other was clear that he has to push forward. Either way, the future of men's tennis has just got a whole lot more interesting. And with all this, Nadal is 22 and Federer is 26. Each can safely play upto the age of 30. :) Fun Fun Fun.
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